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*001454611 *00520231003131959.0 *007ta *008150915s1998 xx 000 0 eng d *00903704cam a2200601 c 4500 *010 $a97049996 *015 $aGBA004825$2bnb *019 $bl *020 $a0-8195-2256-2$qinnbundet *020 $a0-8195-2257-0$qheftet *020 $a978-0-8195-2256-6$qinnbundet *020 $a978-0-8195-2257-3$qheftet *035 $a(EXLNZ-47BIBSYS_NETWORK)999904723884702201 *035 $a(NO-LaBS)8447234(bibid) *035 $a(NO-TrBIB)990472388 *035 $a990472388-47bibsys_network *040 $aNO-TrBIB$bnob$erda$dNO-VoHVB *050 $aML3845$b.S628 1998 *080 $a78.01 *08204$a781.11$qNoBeU$223 *08274$a781.1$25/nor *08274$a781.1$qNO-OsNB$24/nor *08300$a781.1$221$qDLC *084 $aRe 14$2ubtkl/2 *1001 $aSmall, Christopher$d1927-2011$0(NO-TrBIB)90173280$_22682300 *240 $aMusicking$f1998$_245672700 *24510$aMusicking :$bthe meanings of performing and listening$cChristopher Small *264 1$aHanover, N.H.$bUniversity Press of New England$c1998 *300 $a230 sider *336 $atekst$0http://rdaregistry.info/termList/RDAContentType/1020$2rdaco *337 $aformidlet$0http://rdaregistry.info/termList/RDAMediaType/1007$2rdamt *338 $abind$0http://rdaregistry.info/termList/RDACarrierType/1049$2rdact *4901 $aMusic/culture *500 $aOgså utgitt: Middletown, Conn. : Wesleyan University Press *50500$tA place for hearing --$tA thoroughly contemporary affair --$tSharing with strangers --$tA separate world --$tA humble bow --$tSummoning up the dead composer --$tScore and parts --$tHarmony, heavenly harmony --$tAn art of the theater --$tA drama of relationships --$tA vision of order --$tWhat's really going on here? --$tA solitary flute player *52000$aExtending the inquiry of his early groundbreaking books, Christopher Small strikes at the heart of traditional studies of Western music by asserting that music is not a thing, but rather an activity. This new work outlines a theory of what Small terms "musicking," a verb that encompasses all musical activity from composing to performing to listening to a Walkman to singing in the shower. Using Gregory Bateson's philosophy of mind and a Geertzian thick description of a typical concert in a typical symphony hall, Small demonstrates how musicking forms a ritual through which all the participants explore and celebrate the relationships that constitute their social identity. This trip through the concert hall will have readers rethinking every aspect of their musical worlds. *650 0$aMusic$xPerformance Psychological aspects$_74430400 *650 0$aMusic$xPhilosophy and aesthetics$_27895100 *650 7$aForestillinger$0(NO-TrBIB)HUME01473$2humord$_186956700 *650 7$aMusikkteori$0(NO-TrBIB)HUME05517$2humord$_187108700 *650 7$aPublikum$0(NO-TrBIB)HUME07326$2humord$_187476500 *653 $amusikkteori$akonserter$asosiale$aaspekter$apublikum$amusikkpsykologi$aframføring$amusikalitet$amusikk$afilosofi$_74430500 *7001 $aSmall, Christopher$d1927-2011$0(NO-TrBIB)90173280$tMusicking$f1998$_22682300 *7760 $tMusicking : the meanings of performing and listening$w991206705004702201 *830 0$aMusic/culture$_47389900 *85642$3Forlagets beskrivelse (kort)$uhttps://contents.bibs.aws.unit.no/?isbn=9780819522573 *85642$3Forlagets beskrivelse (lang)$uhttps://contents.bibs.aws.unit.no/?isbn=9780819522573 *85642$3Miniatyrbilde$uhttps://contents.bibs.aws.unit.no/files/images/small/3/7/9780819522573.jpg$qimage/jpeg *85642$3Omslagsbilde$uhttps://contents.bibs.aws.unit.no/files/images/large/3/7/9780819522573.jpg$qimage/jpeg *85642$aloc.gov$3Gjenstandsbeskrivelse$uhttps://lccn.loc.gov/97049996$qtext/html *901 $a80 *913 $aMusikk$bNB *999 $aoai:nb.bibsys.no:999904723884702202$b2021-11-14T20:22:02Z$z999904723884702202 ^