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*035  $a(NO-LaBS)51700729(bibid)
*035  $a(NO-OsBA)2730434
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*040  $aNO-OsBA$bnob$erda$dNO-OsNB
*0411 $aeng$hnob
*1001 $aMauser, Max$d1899-1945$cpsevd. for Jonas Lie$0(NO-TrBIB)90071382$4aut$_390054800
*24010$aRittet fra Olesko$lEngelsk$_390016900
*24510$aThe Ghosts Of Olesko
*264 1$aOslo$bFrekk forlag$c2025
*336  $atekst$0http://rdaregistry.info/termList/RDAContentType/1020$2rdaco
*337  $auformidlet$0http://rdaregistry.info/termList/RDAMediaType/1007$2rdamt
*338  $abind$0http://rdaregistry.info/termList/RDACarrierType/1049$2rdact
*4901 $aThe nordic crime library
*520  $a"When the hymn swells heavily through the room, it is as if I am sleeping and only dreaming all that has happened since it happened; the war, the disgrace. But still, through it all I see the compassionate eyes of the Madonna and the gleam in her golden hair, and sometimes I think that I have seen a little of that compassion in a human being."The Great War is ending . A band of battle-worn soldiers flee across a burning Ukraine, riding at full speed towards the west from the collapsing Eastern Front. They carry a stolen icon—the mysterious Blue Madonna, and hold a secret that will haunt them for the rest of their lives.Years later the Madonna resurfaces—this time in a quiet villa outside Oslo. Soon after, one of the men who once escaped Olesko is found dead beneath her gaze.
*655 7$aKrim$0(uri)https://id.nb.no/vocabulary/ntsf/159$2ntsf$_203503600
*655 7$aRomaner$0(uri)https://id.nb.no/vocabulary/ntsf/258$2ntsf$_202639300
*758  $iVerksid:$aRittet fra Olesko$087a940b9-7e96-42f4-bea3-236648b17148$2NO-OsBA
*830 0$aThe nordic crime library$_390017000
*85642$3Forlagets beskrivelse (lang)$uhttps://contents.bibs.aws.unit.no/content/?isbn=9788293097754
*85642$3Omslagsbilde$uhttps://contents.bibs.aws.unit.no/files/images/large/4/5/9788293097754.jpg$qimage/jpeg
*85642$3Originalt bilde$uhttps://contents.bibs.aws.unit.no/files/images/original/4/5/9788293097754.jpg$qimage/jpeg
*999  $aoai:nb.bibsys.no:999920634851602202$b2025-08-02T00:06:31Z$z999920634851602202
^