*0011199425
*008140131s2013    xx#           000 0 eng
*019  $bk
*08230$a306.094972
*100  $aSabljo, Mirna Sindicic$4aut$_141554800
*245  $aThe reception of Samuel Beckett in Croatia during the 1950s
*300  $aS. [207]-218
*500  $aVitenskapelig artikkel
*5208 $aInneholder sammendrag
*600  $aBeckett, Samuel$_61702400
*650  $aLitteratur$2norart$_14312900
*650  $aModernisme$2norart$_10206800
*650  $akulturhistorie$9nor$2norart$_128871900
*651  $aKroatia$_13555600
*653  $aCroatian culture$9eng$_141554900
*653  $aMiroslav Krleza$9eng$_141555000
*653  $aSamuel Beckett$9eng$_141555100
*653  $amodernism$9eng$_128618700
*653  $areception$9eng$_128696800
*653  $asocialist realism$9eng$_141555200
*653  $atheatre of the absurd$9eng$_141555300
*773  $tScando-slavica$gVol. 59, no. 2 (2013)$x0080-6765$w(NO-LaBS)5864(tnr)
*8564 $uhttps://doi.org/10.1080/00806765.2013.855351
*999  $z1400552885$anorart:1400552885
^