Transgression, nostalgia, order : representation of the primitive in Émile Zola's La Terre and Knut Hamsun's Markens grøde
Riikka Rossi Artikkel Engelsk
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*0011177905 *008130215s2011 xx# 000 0 eng *019 $bk *08230$a839.823 *08230$a843 *100 $aRossi, Riikka$4aut$_139379800 *245 $aTransgression, nostalgia, order$brepresentation of the primitive in Émile Zola's La Terre and Knut Hamsun's Markens grøde *300 $aS. [257]-270 *500 $aHeftet har tittelen: The decadence or an aesthetic of transgression/La décadence ou une esthétique de la transgression *500 $aVitenskapelig artikkel *520 $aOm romanene: La terre / Émile Zola. Markens grøde / Knut Hamsun *600 $aHamsun, Knut$_19733400 *600 $aZola, Emile$_41606300 *650 $aFransk prosa$2norart$_124208200 *650 $anorsk$aprosa$2norart$_10227700 *650 $aprimitivitet$9nor$2norart$_139379900 *653 $aKnut Hamsun$9eng$_131705900 *653 $adecadence$9eng$_134983800 *653 $anaturalism$9eng$_128731300 *653 $apeasant novel$9eng$_139380000 *653 $aprimitivism$9eng$_139380100 *653 $atransgression$9eng$_135622400 *653 $aÉmile Zola$9eng$_138636200 *773 $tNordlit [elektronisk ressurs]$gNr. 28 (2011)$x1503-2086 *8564 $uhttps://doi.org/10.7557/13.2282 *999 $z1300531186$anorart:1300531186 ^