"The Other" : Bakhtinian perspectives on musical aesthetics
av Hans WeisethaunetHar overordnet post
Weisethaunet, Hans Artikkel Engelsk utgitt 2000
Weisethaunet, Hans Artikkel Engelsk utgitt 2000
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*0011060848 *00520190130110451.0 *007ta *008150323s2000 xx# 000 u eng d *00900948caa a2200205 c 4500 *019 $bk *035 $a(EXLNZ-47BIBSYS_NETWORK)991422151124702201 *035 $a(NO-TrBIB)142215112 *035 $a142215112-47bibsys_network *040 $aNO-TrBIB$bnob$ekatreg *1001 $aWeisethaunet, Hans$d1961-$0(NO-TrBIB)90319422$4aut$_47782100 *24515$a"The Other" :$bBakhtinian perspectives on musical aesthetics$cav Hans Weisethaunet *260 $c2000 *300 $aS. 171-198 *5050 $aBakhtin in music studies. - Different "Others" and the aestethic. - The implications of "dialogue". - "Intertextuality" and the "carnivalesque" construct. - References *60017$aBakhtin, Mikhail Mikhajlovitsj$d1895-1975$0(NO-TrBIB)90124800$2bare$_11635800 *7730 $tSociology and aesthetics$dBergenKristiansand : Program for kulturstudier, Norges forskningsråd : Høyskoleforl., 2000$z8276343791$w990100622894702201 *901 $a80 *999 $aoai:nb.bibsys.no:991422151124702202$b2021-11-01T03:20:28Z$z991422151124702202 ^